{"id":7693,"date":"2020-04-22T11:48:56","date_gmt":"2020-04-22T11:48:56","guid":{"rendered":"https:\/\/www.toolbox-studio.com\/blog\/?p=7693"},"modified":"2020-04-22T11:48:56","modified_gmt":"2020-04-22T11:48:56","slug":"i-lost-my-body-a-movie-where-2d-and-3d-animation-fall-in-love","status":"publish","type":"post","link":"https:\/\/testblog.toolbox-studio.com\/index.php\/2020\/04\/22\/i-lost-my-body-a-movie-where-2d-and-3d-animation-fall-in-love\/","title":{"rendered":"I Lost My Body &#8211; A Movie Where 2D and 3D Animation Fall in Love"},"content":{"rendered":"<p>\u2018I Lost My Body\u2019 won the Critics Week Award at Cannes in 2019 and was nominated for the Best Animated Feature Film at the Oscars.<\/p>\n<p>This 81-minute French animation film (available on Netflix) weaves two stories together- one of a young man with a difficult past, now seeking love, and the other of a severed hand that has escaped from a lab and endures nail-biting action in an out-sized world, to find and reconnect with its body.<\/p>\n<p>Unreal, right? The movie is exceptional in its concept and beautifully heart-wrenching; it leaves you with an emotional gut punch and can make you ask many questions about life.<\/p>\n<figure id=\"attachment_7697\" aria-describedby=\"caption-attachment-7697\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7697 size-large\" src=\"https:\/\/www.toolbox-studio.com\/blog\/wp-content\/uploads\/2020\/04\/i-lost-my-body-2.jpeg-1024x436.jpg\" alt=\"How I lost my body 2d and 3d Animation feature \" width=\"1024\" height=\"436\" \/><figcaption id=\"caption-attachment-7697\" class=\"wp-caption-text\">Source &#8211; https:\/\/beforesandafters.com\/2019\/11\/30\/how-the-i-lost-my-body-filmmakers-used-blender-to-create-their-startling-animated-feature\/<\/figcaption><\/figure>\n<p>This film has been intelligently crafted with vibrant and colorful as well as grey animation. The rich visual tapestry that combines animation and live action turns animation into art in this film.<\/p>\n<p>So, how did they do it?<\/p>\n<p><strong>Merging 2D and 3D Using Blender Software<\/strong><\/p>\n<p>Making this animation film in Blender (a free open-source software) was a significant decision that allowed the director, J\u00e9r\u00e9my Clapin, to create something pictorial, and yet realistic.<\/p>\n<p>The film was animated in 3D and then given a 2D look by using Blender\u2019s 2D animation tool called \u2018Grease Pencil\u2019 over the CG animation. Blending 2D and 3D can be a challenge.<\/p>\n<p>\u201cIt was all new and very organic. We had to find a good balance between CG and 2D \u2013 where to stop the CG and when to start the 2D, and how to communicate between those two approaches,\u201d recalls Clapin, in an interview with CGW.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-7699\" src=\"https:\/\/www.toolbox-studio.com\/blog\/wp-content\/uploads\/2020\/04\/i-lost-my-body-3.jpeg-1024x436.jpg\" alt=\"\" width=\"1024\" height=\"436\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-7700\" src=\"https:\/\/www.toolbox-studio.com\/blog\/wp-content\/uploads\/2020\/04\/i-lost-my-body-4.jpeg-1024x436.jpg\" alt=\"animation movie in blender\" width=\"1024\" height=\"436\" \/><\/p>\n<figure id=\"attachment_7703\" aria-describedby=\"caption-attachment-7703\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7703 size-large\" src=\"https:\/\/www.toolbox-studio.com\/blog\/wp-content\/uploads\/2020\/04\/i-lost-my-body-5.jpeg-1024x431.jpg\" alt=\"i lost my body animation technique\" width=\"1024\" height=\"431\" \/><figcaption id=\"caption-attachment-7703\" class=\"wp-caption-text\">Source &#8211; https:\/\/beforesandafters.com\/2019\/11\/30\/how-the-i-lost-my-body-filmmakers-used-blender-to-create-their-startling-animated-feature\/<\/figcaption><\/figure>\n<p><strong>Focus on Cinematography (Using CG)<\/strong><\/p>\n<p>Working on the animation, the director wanted a more raw, human feel to the characters, especially the hand. Clapin\u2019s goal was to make the audience forget that this is animation and draw them into a trance, where the morphological characters really existed, as opposed to \u201ccartoony\u201d characters.<\/p>\n<p>According to Clapin, only CG could provide that experience; to make the characters real and to feel the real geometry behind the drawing.<\/p>\n<figure id=\"attachment_7706\" aria-describedby=\"caption-attachment-7706\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7706\" src=\"https:\/\/www.toolbox-studio.com\/blog\/wp-content\/uploads\/2020\/04\/i-lost-my-body-6.jpeg.jpg\" alt=\"i lost my body animation\" width=\"1024\" height=\"436\" \/><figcaption id=\"caption-attachment-7706\" class=\"wp-caption-text\">Source &#8211; http:\/\/www.cgw.com\/Press-Center\/In-Focus\/2019\/I-Lost-My-Body.aspx<\/figcaption><\/figure>\n<p><strong>Using 2D Animation to Retain the Human Connection<\/strong><\/p>\n<p><em>I Lost My Body<\/em> keeps the dialogue between the creator and viewer by having a more human connection that was obtained by \u2018handmade\u2019 2D drawings. In Clapin\u2019s words, \u201cHand-drawing keeps the dialog between humans (creator and viewer). It is not the computer software that decides between the two.\u201d<\/p>\n<p>There\u2019s a lot that goes into making a realistic animated film. The actors were filmed playing their respective roles while recording their voices so the team could have a visual reference. They only had a few days to generate gestures for the film \u2013 it was not enough. But Clapin observed that the animators took inventive and creative steps that let them not depend on the actors\u2019 footage and used them only when they needed it.<\/p>\n<p><strong>Rotoscoping in <em>I Lost My Body<\/em><\/strong><\/p>\n<p>Rotoscoping was used as an additive to the story. When the 2D animators started to rotoscope the CG animation, they added expressions and details, and achieved that organic feeling. \u201c<em>Compositing was really important for the integration. We had to think about lighting, depth of field, and so forth. The final look had to be something between drawings and cinematography<\/em>,\u201d said Clapin in an interview with CGW.<\/p>\n<p><strong>Cinematic Language &#8211; Animating a Hand<\/strong><\/p>\n<p>The cinematic language was the ultimate challenge that only animation could achieve. The movie makes the audience empathize for a character that had just five fingers to express itself. Clapin explains how he went about bringing the severed hand to life. \u201c<em>Once I started animation tests, I could quickly figure\u2026 the camera always had to stay close to the hand and close to the ground<\/em>.\u201d<\/p>\n<p>The aim was to fulfill the hand\u2019s perspective and experience in a super-sized world. Clapin explains that he looked for angles, positions and postures that humanized the hand while having the freedom to use the fingers as a tail, head or a pair of legs.<\/p>\n<figure id=\"attachment_7708\" aria-describedby=\"caption-attachment-7708\" style=\"width: 416px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-7708\" src=\"https:\/\/www.toolbox-studio.com\/blog\/wp-content\/uploads\/2020\/04\/i-lost-my-body-7.jpeg-416x1024.jpg\" alt=\"i lost my body animation style\" width=\"416\" height=\"1024\" \/><figcaption id=\"caption-attachment-7708\" class=\"wp-caption-text\">Source &#8211; https:\/\/www.thewrap.com\/i-lost-my-body-director-jeremy-clapin-live-actors-2d-animation\/<\/figcaption><\/figure>\n<p>And truly, watching this movie will make you forget that you\u2019re watching a severed hand, that would not have any memory or character of its own. This effect is a testament to the incredible work of the animators and storytellers behind the scenes.<\/p>\n<p><em>I Lost My Body<\/em> shows that modern 2D animation techniques still packs a punch and can enthrall audiences.<\/p>\n<p><strong>About Toolbox Studio\u2019s Animation Services<\/strong><\/p>\n<p>At Toolbox Studio, we are passionate about using animation to draw viewers into compelling stories in the most unique ways possible. We believe animation is powerful because of its beautiful simplicity and boundless creativity. And as I Lost My Body shows, good animation can exceed expectations.<\/p>\n<p>As a 2D animation outsourcing studio, we have delivered success and quality to clients in the US, UK, Canada, Europe, Australia, and other locations. If you are interested in appealing <a href=\"https:\/\/www.toolbox-studio.com\/animation-and-audio-visual-solutions\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>2D and 3D animation services<\/strong><\/a> for movies, get in touch with us today.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u2018I Lost My Body\u2019 won the Critics Week Award at Cannes in 2019 and was nominated for the Best Animated Feature Film at the Oscars. This 81-minute French animation film (available on Netflix) weaves two stories together- one of a young man with a difficult past, now seeking love, and the other of a severed [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":7695,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[576,577,578,579,580,581],"class_list":["post-7693","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-animation","tag-blender-3d-animation-movie","tag-i-lost-my-body-animation","tag-i-lost-my-body-animation-style","tag-i-lost-my-body-animation-technique","tag-modern-2d-animation-techniques","tag-movies-made-with-blender"],"_links":{"self":[{"href":"https:\/\/testblog.toolbox-studio.com\/index.php\/wp-json\/wp\/v2\/posts\/7693","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/testblog.toolbox-studio.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/testblog.toolbox-studio.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/testblog.toolbox-studio.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/testblog.toolbox-studio.com\/index.php\/wp-json\/wp\/v2\/comments?post=7693"}],"version-history":[{"count":0,"href":"https:\/\/testblog.toolbox-studio.com\/index.php\/wp-json\/wp\/v2\/posts\/7693\/revisions"}],"wp:attachment":[{"href":"https:\/\/testblog.toolbox-studio.com\/index.php\/wp-json\/wp\/v2\/media?parent=7693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/testblog.toolbox-studio.com\/index.php\/wp-json\/wp\/v2\/categories?post=7693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/testblog.toolbox-studio.com\/index.php\/wp-json\/wp\/v2\/tags?post=7693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}