{"id":2396,"date":"2017-03-20T14:05:26","date_gmt":"2017-03-20T14:05:26","guid":{"rendered":"https:\/\/www.toolbox-studio.com\/blog\/?p=2396"},"modified":"2017-03-20T14:05:26","modified_gmt":"2017-03-20T14:05:26","slug":"gold-statuette-holders-2017","status":"publish","type":"post","link":"https:\/\/testblog.toolbox-studio.com\/index.php\/2017\/03\/20\/gold-statuette-holders-2017\/","title":{"rendered":"A Quick Recap of the Gold Statuette-Holders in 2017"},"content":{"rendered":"

There\u2019s so much that goes into the making of a stellar film \u2013 right from the story, script and screenplay to the cast, crew and direction. Add to that the need for a capable team that can ensure production design, shooting, editing, animation\/VFX and music of the highest level to compete with the best in the industry. Here\u2019s presenting a quick list of those who made the headlines at the 2017 Oscars.<\/em><\/span><\/p>\n

Beyond the glitz and glamour of the red carpet, the shiny smiles, and the coveted golden gold statuette award, the Oscars celebrate the relentless effort filmmakers put into their art.<\/p>\n

In the sea of talented and deserving nominations, some created waves that swept the highest honor away! Here is a quick run-through of the list of gold statuette-holders\u2014the 89th Annual Academy Awards winners.<\/p>\n

Best Animated Feature<\/u><\/strong><\/h2>\n

Here at Toolbox Studio<\/a>, the build up to the announcement of the Best Animated Feature Award functions as an annual nail-biting, edge-of-the seat experience.The genius set of nominations this year included Disney\u2019s Zootopia<\/em> and Moana<\/em>, alongside Kubo and the Two Strings<\/em>, The Red Turtle<\/em>, and My Life as a Zucchini<\/em>.<\/p>\n

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Source: movies.disney.com<\/figcaption><\/figure>\n

Co-directors Byron Howard and Rich Moore gracefully accepted the gold statuette for the Best Animated Feature at the 2017 Oscars. What seems like a subtle yet bold response to the proposed \u2018wall\u2019 on the Mexican border, Disney\u2019s Zootopia powerfully acknowledged issues like sexism in the workplace and xenophobia. The film talks about tolerance, dealing with fear of differences, and the power in unity through suave characters like Buny Cop, Lt. Judy Hopps (Ginnifer Goodwin), and sly \u2018businessman\u2019 fox, Nick Wilde (Jason Bateman). Producer Clark Spencer and the talented director duo were grateful for the win.<\/p>\n


\nBest Animated Short<\/u><\/strong><\/h2>\n

Another nail-biter, the best animated short film category demands an artistic endeavour filled with technique and emotion, all under 40 minutes or less. Pixar veteran Alan Barillaro scooped up the Best Animated Short Oscar in 2017 with his six-minute-long (short is more like it) film Piper. In just six minutes, the life of a baby sandpiper unfolds, walking you through fear and what lies beyond. Creating the sandy seashore world is beautifully real\u2014one of Pixar\u2019s greatest strengths. This wordless masterpiece left the audience speechless as they dove into the story with little Piper.<\/p>\n

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Source: twitter.com<\/figcaption><\/figure>\n

 <\/p>\n

It may have been the sunny blend of an honest heart and impeccable technology that the film exudes that led up to its win against promising contenders Borrowed Time<\/em>, Pearl<\/em>, Blind Vaysha<\/em>, and Pear Cider and Cigarettes<\/em>.<\/p>\n

Best Sound Editing<\/u><\/strong><\/h2>\n

The Oscars present two separate awards for Sound Mixing and Best Sound Editing. Sound Mixing entails the entire soundscape that a film showcases, including the equations between background scores, dialgoues, and more.<\/p>\n

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Source: imdb.com<\/figcaption><\/figure>\n

Now think of the booms and blasts, the sound effects that enhance the visual action on screen\u2026 that\u2019s the Sound Editor\u2019s role. 2017 saw a diverse mix of nominees including Arrival<\/em>, La La Land<\/em>, Hacksaw Ridge<\/em>, Deepwater Horizon<\/em>, and Sully<\/em>. It was the eerie-yet-gentle linger of sci-fi thriller Arrival<\/em> that won the Oscar for Best Sound Editing this year.<\/u><\/p>\n

Best Production Design<\/u><\/strong><\/h2>\n

The nominations for the Best Production Design Award included 5 fabulous teams that worked on Arrival<\/em>, Fantastic Beasts and Where to Find Them<\/em>, Hail, Caesar!<\/em>, La La Land<\/em>, and Passengers.<\/em> Damien Chazelle\u2019s La La Land<\/em> bagged the prestigious award, thanks to the magnanimous vision and starry-eyed conviction of the film\u2019s makers.<\/p>\n

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Source: imax.com<\/figcaption><\/figure>\n

Husband and wife duo David Wasco and Sandy Reynolds-Wasco, responsible for production design and set decoration, accepted the Oscar. Their work history includes iconic movies like Tarantino\u2019s Inglorious Bastards<\/em> and Pulp Fiction<\/em>. La La Land <\/em>uses the historic and somewhat whimsical backdrop of the city of Los Angeles to create the base for eccentric-yet-lovable moments in the story. This is the first nomination and award that the duo has won for <\/span>Best Production Design.<\/b>
\n<\/u><\/p>\n

Best Cinematography<\/u><\/strong><\/h2>\n

On a roll with that winning streak, La La Land too home the Oscar for Best Cinematography\u2014this one was barely a surprise! Linus Sandgren, known for his exceptional skills in best cinematography, is a pure artist with the lens. His win at the Critics\u2019 Choice Awards and BAFTA before bagging the Academy Award is a roaring applause for his art.<\/p>\n

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Source: edition.cnn.com<\/figcaption><\/figure>\n

The film displays humour, love, and pain in the intertwined lives of a jazz pianist (Ryan Gosling) and an aspiring female actor (Emma Stone). Sandgren, in his acceptance speech, showed gratitude towards his collaborative effort with the actors, as well as with Director Damien Chazelle. La La Land was competing with Arrival, Lion, Moonlight, and Silence for this prestigious award for best cinematography.<\/p>\n

Best Screenplay<\/u><\/strong><\/h2>\n

The Best Original Adapted Screenplay at the 2017 Oscars ranked Arrival, Fences, Moonlight, Lion, <\/em>and Hidden Figures<\/em> as the top 5 nominees. Moonlight<\/em> unmistakenly won the award, the second win that day after Mahershala Ali was awarded Best Supporting Actor for the same film.<\/p>\n

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Source: imdb.com<\/figcaption><\/figure>\n

The movie is set in Florida and tells the story of a young homosexual black man. Barry Jenkins and Tarell Alvin McCraney accepted the award for their outstanding work on one of the best screenplays in recent years. The acceptance speech poured grace and power as Jenkins spoke about the particularly socially-conscious awards event.<\/p>\n

The sensitivity with which the film has evolved through every layer of creation is impeccable. The film is adapted from McCraney\u2019s autobiographical play In Moonlight Black Boys Look Blue<\/em>.<\/p>\n

Contending for the Oscar for the Best Original Screenplay were Manchester by the Sea, La La Land, Hell or High Water, 20th Century Women, and The Lobster. Manchester by the Sea continued to wear the winner\u2019s title following the BAFTAs. Kenneth Lonergan\u2019s weaves a captivating screenplay revolving around relationships amidst adversity, further proving why it’s regarded as one of the best screenplays of the year.<\/p>\n

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Source: gaboalvarez.wordpress.com<\/figcaption><\/figure>\n

 <\/p>\n

Best Editing<\/u><\/strong><\/h2>\n

The editing plays a pivotal role in bringing harmony and continuity in the narrative, in fact in the whole viewing experience. The nominations for Best Editing were Joe Walker \u2013 Arrival<\/em>, John Gilbert \u2013 Hacksaw Ridge<\/em>, Tom Cross \u2013 La La Land<\/em>, Jake Roberts \u2013 Hell or High Water<\/em>, and Nat Sanders and Joi McMillon \u2013 Moonlight<\/em>. Jon Gilbert took the cake for his amazing \u2018chops\u2019 (pun intended) in Hacksaw Ridge<\/em>.<\/p>\n

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Source: en.wikipedia.org<\/figcaption><\/figure>\n

Best Original Score<\/u><\/strong><\/h2>\n

The contemporary musical La La Land<\/em>, since the moment it arrived, had its music lingering in the subconscious mind of the audience. So it came as no surprise when composer Justin Hurwitz took home the Oscar for Best Original Score. His body of work includes Whiplash.\u00a0<\/em>La La Land<\/em> was nominated alongside acclaimed scores of films Jackie, Lion, Moonlight <\/em>and Passengers.
\n<\/em><\/p>\n

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Source: jsonline.com<\/figcaption><\/figure>\n

Best Direction<\/u><\/strong><\/h2>\n

Director Damien Chazelle may have been absorbed by his film La La Land<\/em>, as he danced on cloud nine after winning the Oscar for Best Director. The youngest filmmaker to have won this award, Chazelle attributed the honour to all the people who helped take the film from a vision in his mind to the screen.<\/p>\n

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Source: variety.com<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

There\u2019s so much that goes into the making of a stellar film \u2013 right from the story, script and screenplay to the cast, crew and direction. Add to that the need for a capable team that can ensure production design, shooting, editing, animation\/VFX and music of the highest level to compete with the best in […]<\/p>\n","protected":false},"author":1,"featured_media":2547,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[196,197,198],"class_list":["post-2396","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-gold-statuette-holders-of-2017","tag-winners-at-the-2017-oscars","tag-winners-of-89th-annual-academy-awards"],"_links":{"self":[{"href":"https:\/\/testblog.toolbox-studio.com\/index.php\/wp-json\/wp\/v2\/posts\/2396","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/testblog.toolbox-studio.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/testblog.toolbox-studio.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/testblog.toolbox-studio.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/testblog.toolbox-studio.com\/index.php\/wp-json\/wp\/v2\/comments?post=2396"}],"version-history":[{"count":0,"href":"https:\/\/testblog.toolbox-studio.com\/index.php\/wp-json\/wp\/v2\/posts\/2396\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/testblog.toolbox-studio.com\/index.php\/wp-json\/wp\/v2\/media\/2547"}],"wp:attachment":[{"href":"https:\/\/testblog.toolbox-studio.com\/index.php\/wp-json\/wp\/v2\/media?parent=2396"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/testblog.toolbox-studio.com\/index.php\/wp-json\/wp\/v2\/categories?post=2396"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/testblog.toolbox-studio.com\/index.php\/wp-json\/wp\/v2\/tags?post=2396"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}